Percy Gray -
Born in San Francisco, California,
Percy Gray became one of that state's best-known professional landscape
painters in the late 19th and early 20th centuries. He is most often
associated with Northern California landscapes with oaks or eucalyptus
trees, and these paintings with colorful lupines and poppies are the
most collectible. He also did a few portraits and etchings.
As he matured, he developed an allergy to oil paint, so he changed to
watercolor. In his paintings, he created distinct perspectives and
atmospheric qualities by using a unique method of building up paint.
He was from a British family where
twelve of his ancestors were artists. He grew up in Northern
California, and developed an early love of the landscape from spending
his summers at the family home at Inverness in Marin County.
In his early teens, he suffered an illness that confined him to bed for
a prolonged time, and to keep him occupied, his brother bought him art
supplies. It was almost immediately obvious that Henry had special
talent, and by the time, he was 16 and entering the San Francisco School
of Design, his work was collectible. He studied at the School with Emil
Carlsen and then began his career as a sketch artist for the San
Francisco "Call" newspaper.
In 1895, he went to New York and worked eleven years as head of the art
department for William Randolph Hearst's New York Journal. At
night, he studied at the Art Students League with William Merritt Chase,
whose theories of landscape painting had a life-long influence on Gray.
"Oaks in Landscape"
In 1906, after the earthquake and fire,
he returned to San Francisco and worked until 1920 as illustrator for
the Examiner. By 1920, he felt established enough as a landscape
painter to become a full-time artist.
From 1918 to 1923, Gray had maintained a studio in San Francisco and
lived in his studio in the Montgomery Block, but in 1923, he married and
settled in Monterey, renovating an historic home once occupied by
William Tecumseh Sherman, the famous Civil War General.
Watercolor, 16 x 20 inches
ln 1939, he and his wife moved to Marin County, and after his wife died
in 1951, he again became a resident in San Francisco, living in the
Bohemian Club until his death in his studio from a heart attack in 1952.
In addition to California landscapes,
he painted scenery of surrounding states including Arizona, Washington,
and Oregon. He also painted some portraits of Southwest Indians but
declared many times that he did not enjoy portrait painting.
His great love was roaming the hills in the San Francisco area,
sketching the basics, and completing landscapes in his studio. The work
of his later years is not considered as desirable as earlier paintings
because it was more sombre and contemplative. Many collections have his
paintings including the Crocker Museum at Sacramento and the Stanford
Museum at Palo Alto.
American Art Review
Michael David Zellman, 300 Years of American Art
Edan Hughes, Artists in California, 1786-1940
(800) 833-9185 or email to
info@kargesfineart for further information
Los Angeles Gallery
2525 Michigan Ave., T-3
Santa Monica, CA 90404
800.884.4022 toll free
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Whitney Ganz: Director
6th. & Dolores
Carmel, CA 93921
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Patrick Kraft: Director
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